Since it’s a child’s reminiscences, Dad of course has to be a doofus. In addition to veering toward formulaic, the show has some point-of-view collisions that confuse the comic tone.
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It’s moderately amusing, but it’s also a fantasy TV boys have been indulging in since the medium was invented. She’s not really a girl at all she’s his neighbor’s wife. This show is perfectly safe for me to watch.”Įpisode 3 (airing next Tuesday, on what will be its regular night) also works a trope: Eddie preposterously tries to impress the cool kids by going after a hot girl who is way out of his league. It’s as if the network were consciously aiming at the comfort zone of the racially mixed audience this and every show needs to survive: “Oh, that’s just what happened on. Here a racial slur is the catalyst, but structurally the episode is a carbon copy of a zillion others: A student is mocked or bullied because of weight, clothes, disability, whatever a fight breaks out a clueless school administrator blames the wrong child. The premiere finds Eddie being picked on at his new school, building to a lunchroom confrontation that lands him in the principal’s office. Yes, breaking down the network barrier - Margaret Cho’s short-lived “All-American Girl” in the 1994-95 season was the last show to do it - is important, but “Fresh Off the Boat” might really have belonged on a cable outlet like FX, where it could speak its mind more bluntly. Huang’s book is brash - he “puts the crude back in crudités,” Dwight Garner wrote in reviewing it in 2013 in The New York Times - an edge that this show seems eager to avoid, which is too bad.
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The series is based on the restaurateur Eddie Huang’s memoir, specifically the parts of it that deal with growing up in Orlando, Fla., as one of three sons of Taiwanese immigrants. But Episode 2 - showing on Wednesday along with the premiere - indicates the concept’s promise the show stops trying to be too many things and, for a half-hour at least, finds a groove. So it’s disappointing that two of the first three episodes are little more than familiar reworkings of overused formulas and plots. In the buildup to Wednesday’s premiere of “Fresh Off the Boat,” we’ve been hearing repeatedly that this ABC series will be different: a comedy centered on an Asian-American family, something network prime time hasn’t seen in years.
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